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David N. Donihue
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David N. Donihue : ウィキペディア英語版
David N. Donihue

David N. Donihue (David Nelson Donihue, b. April 25, 1974) is an American writer, director and actor. His work has been referred to as "Mental action on all levels" "Imperative" and "Powerful"
==Early years==
Donihue was born in rural Eastern Washington, raised blocks away from The Green River Killer, and was a resident of Auburn, Washington. He started writing plays that were performed for 45 cents in his back yard and local parks when he was as young as seven. His first film was made when he was eleven, utilizing a rented video camera and two borrowed VCR's with stereo cables. His father was a pastor. His mother, Anita Corrine Donihue, was a special education teacher who later became a well known Christian Devotional author.
By his mid teens, Donihue was writing feature length plays. During these years, Donihue began to work graveyard shifts at a local college radio station, KGRG-FM, as an overnight DJ.
There, he became obsessed with experimental music and film, and directed a series of student films. These included Anthony's Apocalypse and Inside Anthony's World.
During this era, at age 18, he wrote ''Hold My Hand & Tell Me I'm Not Insane'', a comedy-drama about a young playwright whose scripts follow his life, yet later dictate it. The play was produced in Seattle with its premiere at the Scottish Rite Hall on Capitol Hill.
During his early twenties, Donihue wrote, directed, acted in and produced a string of independent plays within the northwest including ''Hey Baby Do Ya Wanna Come Back To My Place and Justify My Existence'', and another pop psychology comedy ''Brain Aches And The Quest For Redemption Of A Telephone Psychic'' as well as the forty minute short film Love Me Tender, Pay Me Well.
He penned dozens of feature-length scripts, both plays and films, during this era, most of which he refused to have seen or published. A partial list of titles exists with corresponding dates. He was quoted at one point in the Seattle Times as saying "Creation is far more interesting than exhibition."
In 1999 Donihue began performing under the stage name Punko and released an indie album titled The Day Bob Went Electric.

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